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2018

  • Emperor Diocletian, ST GEORGE, St George the Martyr Church, Miranda Harding

  • Alan, THE NEW NEW, Brave New Word, Florence Bell

2017

  • Morten Kiil, ENEMY OF THE PEOPLE, Tower Theatre, Ian Hoare

  • Stanley, THE TRUMP LEGACY, Brave New Word, Florence Bell

  • Diocletian, ST GEORGE, St George the Martyr Church, Sarah Harding

  • Sin of Pride/Duke of Vanholt, DR FAUSTUS, Tower Theatre, Lucy Bloxham

‘…the Seven Deadly Sins strut out onto the stage as if it were a fashion show, led by a white-turbaned, red-lip-sticked, incredibly camp Pride who’d make John Inman pale in comparison.’ – What’s Hot London

2016

  • Chancellor/Dave, SCAPEGOAT, Creative Structure, Abigail Pickard-Price

  • Michael English, STAND-UP IN 2046, Brave New Word, Florence Bell

  • Nat Jeffcote, HINDLE WAKES, Tower Theatre, Ian Hoare

    ‘The thought processes of Nathaniel Jeffcote (Alexander Grant), were very convincing whenever on stage, and conspicuous by his absence when not… ‘ -London Theatre 1
    ‘The quiet scenes with his wife were full of quiet humour and tenderness and they allowed you to see the charm and wit of this self-made man.’ – Noises Off

  • Mr Chadwick, CAREER OPPORTUNITIES, Brave New Word, Florence Bell

  • Boss Man, LIFEGUARD, Brave New Word, Florence Bell

  • Diocletian, ST GEORGE, St George the Martyr Church, Sarah Harding

  • Chancellor, SCAPEGOAT, Creative Structure, Abigail Pickard Price

  • Julius Caesar, COVERAGE, Riot Act, Whit Hertford

2015

  • Voice Over, Bertie Snr, CHRONICARGO, Synchron Productions, Andrew Barton

  • Concert, Chancellor/St George/Knight, AGINCOURT, Agincourt 600, Fern Dickson/Sarah Harding

  • Duc de Guiche/Sister Margaret, CYRANO DE BERGERAC, East 15, Dir.: Andrea Brooks

  • George Locke, A DAY TRIP TO THE VOID, Kludge Theatre, Dir.: Andrea Brooks

  • Dr Eli Rudge, LIVING HISTORY, East 15, Dir: Andrea Brooks, Stephen Hallam

  • Lear, KING LEAR, East 15, Dir.: Andrea Brooks

2014

  • Shooter, ACTION, East 15, Dir.: Stephen Hallam

  • Simeonov-Pishchik, THE CHERRY ORCHARD, East 15, Dir.: Stephen Hallam

  • Bertram, LARGO DESOLATO, Teatro Technis, Camden, Dir.: Jonathan Lermit

‘Grant’s Bertram is beguilingly insidious’ – Remotegoat.com

‘I must point out the performance of Bertram by [Alexander] Grant, who made sense of the repetition because he made it part of his physical character rather than just repeating words. He was eccentric and extremely watchable.’ – Noises Off

2013

  • Banquo, MACBETH, The Cockpit, Marylebone, Dir.: Nick Hastings

‘Grant’s Banquo is utterly compelling. Suave and dapper, his is a magnetic presence on stage. His credibility as boardroom material is never in doubt – nor his failure to appreciate the scale of the threat facing him from Macbeth. The only shame is that he doesn’t survive into the second act.’  – London Culture Blog

2012

  • Baptista, TAMING OF THE SHREW, Teatro Technis, Camden, Jardin du Shakespeare, Paris, Dir.: Penny Tuerk