2018
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Emperor Diocletian, ST GEORGE, St George the Martyr Church, Miranda Harding
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Alan, THE NEW NEW, Brave New Word, Florence Bell
2017
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Morten Kiil, ENEMY OF THE PEOPLE, Tower Theatre, Ian Hoare
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Stanley, THE TRUMP LEGACY, Brave New Word, Florence Bell
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Diocletian, ST GEORGE, St George the Martyr Church, Sarah Harding
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Sin of Pride/Duke of Vanholt, DR FAUSTUS, Tower Theatre, Lucy Bloxham
‘…the Seven Deadly Sins strut out onto the stage as if it were a fashion show, led by a white-turbaned, red-lip-sticked, incredibly camp Pride who’d make John Inman pale in comparison.’ – What’s Hot London
2016
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Chancellor/Dave, SCAPEGOAT, Creative Structure, Abigail Pickard-Price
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Michael English, STAND-UP IN 2046, Brave New Word, Florence Bell
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Nat Jeffcote, HINDLE WAKES, Tower Theatre, Ian Hoare
‘The thought processes of Nathaniel Jeffcote (Alexander Grant), were very convincing whenever on stage, and conspicuous by his absence when not… ‘ -London Theatre 1
‘The quiet scenes with his wife were full of quiet humour and tenderness and they allowed you to see the charm and wit of this self-made man.’ – Noises Off -
Mr Chadwick, CAREER OPPORTUNITIES, Brave New Word, Florence Bell
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Boss Man, LIFEGUARD, Brave New Word, Florence Bell
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Diocletian, ST GEORGE, St George the Martyr Church, Sarah Harding
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Chancellor, SCAPEGOAT, Creative Structure, Abigail Pickard Price
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Julius Caesar, COVERAGE, Riot Act, Whit Hertford
2015
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Voice Over, Bertie Snr, CHRONICARGO, Synchron Productions, Andrew Barton
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Concert, Chancellor/St George/Knight, AGINCOURT, Agincourt 600, Fern Dickson/Sarah Harding
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Duc de Guiche/Sister Margaret, CYRANO DE BERGERAC, East 15, Dir.: Andrea Brooks
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George Locke, A DAY TRIP TO THE VOID, Kludge Theatre, Dir.: Andrea Brooks
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Dr Eli Rudge, LIVING HISTORY, East 15, Dir: Andrea Brooks, Stephen Hallam
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Lear, KING LEAR, East 15, Dir.: Andrea Brooks
2014
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Shooter, ACTION, East 15, Dir.: Stephen Hallam
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Simeonov-Pishchik, THE CHERRY ORCHARD, East 15, Dir.: Stephen Hallam
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Bertram, LARGO DESOLATO, Teatro Technis, Camden, Dir.: Jonathan Lermit
‘Grant’s Bertram is beguilingly insidious’ – Remotegoat.com
‘I must point out the performance of Bertram by [Alexander] Grant, who made sense of the repetition because he made it part of his physical character rather than just repeating words. He was eccentric and extremely watchable.’ – Noises Off
2013
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Banquo, MACBETH, The Cockpit, Marylebone, Dir.: Nick Hastings
‘Grant’s Banquo is utterly compelling. Suave and dapper, his is a magnetic presence on stage. His credibility as boardroom material is never in doubt – nor his failure to appreciate the scale of the threat facing him from Macbeth. The only shame is that he doesn’t survive into the second act.’ – London Culture Blog
2012
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Baptista, TAMING OF THE SHREW, Teatro Technis, Camden, Jardin du Shakespeare, Paris, Dir.: Penny Tuerk